It is often said that the “Golden Age of Detective Fiction”
took place in between the two World Wars. For my money, such a characterisation
is far too simplified and gives rise to a popular narrative Julian Symons’ Bloody Murder sets out, which treats
Golden Age fiction like some freak of nature which popped up between the two
world wars because [insert pet sociological theory here]. I cringe whenever
this view of the genre’s history is brought up, all too often by authors
eagerly assuring you that their stuff transcends all that silly puzzle nonsense
and Asks Really Deep Questions [translation: There Is No Plot].
The truth is, the Golden Age was a time of great variety and
experimentation within the genre, and The Detection Club was formed in the late
20s in England. The exclusive club gave authors a chance to socialize, and since
membership was attained only by secret ballot, it was also a way to ensure the
quality of the genre remained high. Martin Edwards’ The Golden Age of Murder looks at the men and women who were members
of The Detection Club during the Golden Age. It’s an enormous project, one
which might overwhelm a lesser man.


