This is the second
instalment in my unofficial series on Batman stories. To catch up on why I am
doing this, feel free to read the first post
in the series, which is also a review of Edward D. Hoch’s The Pirate of
Millionaire’s Cove.
***
Although I have yet to read one of his novels, Max Allan
Collins is no stranger to me, or to this blog. When I did a series of reviews
of hardboiled mysteries, I kicked it off with one of his quotes and agreed with
the general sentiment (though I expressed reservation at the generalisation of
it). A while ago, he did
a slideshow for The Huffington Post where he chose his “game changers” in
the mystery genre—not necessarily personal favourites, mind you, but people who
really transformed the genre in different ways. And this list was an
interesting one! Kudos to Collins for praising Agatha Christie’s
characterization and for including Ellery Queen on the list, and also for an
excellent defense of Mike Hammer, although it is not a defense that makes me
warm up to the character. (Also, the comments are frankly depressing, and if I
hear one more person praise an author as “transcending the genre”, it’s to the guillotine
for them!)
But I bring up Collins today because as it turns out, he too
wrote a Batman adventure that was collected in The Further Adventures of Batman. Entitled The Sound of One Hand Clapping, this is a story that includes
Batman’s arch-nemesis, the Clown Prince of Crime—The Joker!
The Joker is bored. Nobody has yet invented the character of
Harley Quinn and so the Clown Prince of Crime is sitting in his lair, wondering
why he feels so lonely and whether there is any point to living. Not even
Rodney Dangerfield can cheer him up… and then the news goes on. Time suddenly
stands still: the Joker has just seen the love of his life, Camilla Cameo.
Miss Cameo is a professional mime who has undergone much
stress of late, finally snapping and committing a series of crimes under the
alter-ego of The Mime. And guess who finally caught her? That’s right, it’s the
Caped Crusader himself, old Batso! The Joker is enraged, and so he decides to
free The Mime and exact revenge on Batman…
I warn readers right away that this isn’t a mystery—in fact,
this plays oddly like an episode from the famous Batman: The Animated Series. In fact, Collins’ dialogue for the
Joker is so reminiscent of Mark Hamill’s portrayal that when the Joker swears (one
time), it feels very oddly out of place. It is quite simply the Joker doing
what he does best—and in this story, he’s thrown a particularly awesome line to
taunt Batman with.
But that being said, this isn’t a particularly memorable adventure—it’s
a fun story, to be sure, but it doesn’t come close to the finest Batman
adventures. But then again, I speak from a slightly different vantage point
than most fans. I love Batman most when he is “The World’s Greatest Detective”,
having to solve some sort of riddle (which is why adventures involving the
Riddler hold such a fascination for me). But in my opinion, the best episode of
the animated series was Perchance to
Dream, a kick-ass story in which Bruce Wayne wakes up and finds himself in
a seemingly-ideal universe where his parents are alive, he’s engaged to Selina
Kyle, and someone else is Batman. He has to figure out what has happened,
leading to an exciting climax and shocking reveal—and trust me, the twist is awesome,
with some surprisingly fair clues pointing out the solution (though to be fair,
I think Batman fanboys would have an easier time with the puzzle). It’s a
mystery where you don’t even realize you’re watching a mystery until the
finale. And if you want to see Batman at his finest, I cannot recommend that
episode highly enough.
Max Allan Collins is obviously a skilled writer, and his
respect for the Golden Age of Detection is most appreciated by myself… and I
have a feeling that we will literarily meet again some time soon… But for now,
I will applaud his efforts in constructing an enjoyable story.
One final update: thanks to Barry Ergang, I am now awaiting the
arrival of two more books in this Batman series edited by Martin H. Greenberg.
These books star The Penguin and Catwoman—and while they may seem like odd
choices for villains to use in this series, I will remind you that they were
the villains in Batman Returns, which
may have influenced the choice somewhat. (I find myself wishing that the
Riddler and Mad Hatter got their own collections! Can you imagine what Edward
D. Hoch would do with that?)
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