Inspector Alan Grant is sick in a hospital bed, through the
magic of a plot device. (I believe it was a broken leg, but I don’t know why
this would require such an extended stay in hospital.) Anyways, he is bored,
bored, bored… with nothing to do, he is encouraged to take a look at some
famous historical riddle and try to solve it from his bed. And so he becomes
fascinated with the figure of Richard III, and decides to investigate whether
the king really was the heinous killer of the Princes in the Tower.
It seems that everyone everywhere is in love with this book,
and with Josephine Tey in general. Interest in Tey and this book surged with the discovery of Richard III’s bones. Because the ghost of Harry
Stephen Keeler was still active in the blogosphere at the time, the news story
hit just a few days after I’d finally purchased a copy of this book, intending
to read it. But because a lot of people who had no idea what they were talking
about suddenly became authorities on King Richard, Tey, and GAD in general, I
decided to wait for a while.
I’m glad I did, because although The Daughter of Time is an excellent read, it is seriously flawed as both a detective
story and a historical document. But let’s start with the good stuff: Tey’s
style, for instance, makes for easy and compelling reading. The book should be boring, because the only thing
going on is a series of conversations at a sick man’s bedside. But Tey handles
these so well that the book never does become boring, and the conversations are
interesting.
There are also several great scenes. One of the very finest
is a scene where Inspector Grant realizes, to his fury, that the “definitive” account
of Richard’s reign (supposedly penned by St. Thomas Moore) is absolutely
useless. The scene is absolutely powerful and just magnificent to read (and
re-read). And it leads to Tey’s major theme, about how truth can be lost in the
sands of time and that history is indeed written by the victors…
Unfortunately she undermines her own premise. She argues
that Richard III was not a murderer, but instead of just trying to prove that,
she tries to prove that Richard was a saint. She seems to acknowledge this at
the end, when Grant tells a friend of his that people will accuse him of trying
to whitewash Richard’s character when he presents his theories, but she still
does it. It’s not enough to prove, as best as she can, that Richard was
innocent: no, he was a wonderful, good, decent, holy man who was loved by all
until Big Mean Henry VII came along and wrestled Poor Little Richard’s crown
away. While it’s true that Henry VII was, for all intents and purposes, a
usurper, Tey reduces a complex historical period into a black-and-white, pure good
vs. pure evil, us vs. them sort of picture. And to fit King Richard into this
view, he has to be recast as a pure, sainted man.
Worse than that, the book is seriously flawed as a detective
story. Alan Grant’s main premise throughout this entire novel is that he can
tell Richard III was innocent by looking at his face. I call BS on that.
Throughout detective fiction, there are many examples of murderers that don’t look like murderers. A killer can look
like a perfectly nice young man, or a level-headed sensible girl, or perfectly
respectable elderly gentleman. A face can tell you nothing, but over and over
again Tey tells you that the face is the key to everything. I don’t understand
why this book is so highly regarded as a work of detective fiction when it has
such a major contradiction at its core.
And finally, when the ending comes, it’s as though the book
skipped a beat. There’s a strong feeling of “What? That’s it?” and it’s only exacerbated
when you discover that Tey’s theories are far from original. Yet the author is
oblivious; she seems to think she is delivering a shocking Homer Simpson Effect
(“D’oh!”), when in fact she’s just delivering a “duh”.
All that being said, I think it’s worth reading The Daughter of Time, and if I sounded
overly negative, consider it a corrective to the overly-enthusiastic reviews
you’ll find everywhere else online. I did
enjoy the book very much, but it’s not a perfect detective story and has major
flaws as a historical document. Still, it’s a terrific read with plenty of good
stuff to be found. As long as you keep expectations reasonable and do not
expect a masterpiece of detection, you should enjoy the book just fine.
Interesting review, Patrick. I'm not sure I agree completely with the criticism of how Grant judges the portrait of Richard - remember, it is a PORTRAIT, and the artist, I presume, probably captured some of Richard's character in his painting. Tey sums up Grant's reaction this way: "It was, as he had said, not possible to put faces into any kind of category, but it was possible to characterize individual faces. In a reprint of a famous trial, for instance, where photographs of the principal actors in the case were displayed for the public’s interest, there was never any doubt as to which was the accused and which the judge."
ReplyDeleteIs it a flaw in the argument? Perhaps so; perhaps Tey is acknowledging it. But if you accept the painter's artistic license (and the author's!) I think it works reasonably well. And it is very well written.
That's precisely part of the problem: it's a *portrait*, and presumably Richard would not have been happy with an unflattering one showing the face of a tyrant...
DeleteIf it had been just a way to get Grant interested in the case, I'd be able to forgive it. But he brings it up over and over again and treats the portrait as though it were conclusive evidence of Richard's essential goodness.
Having read this recently myself, I too am surprised by its reputation. I found the book rather dull, and I love history. Maybe a fictionalized investigation from a hospital bed wasn't the best way to write something like this.
ReplyDeleteEither way it has inspired some good books. Rene Reouven wrote a Sherlock Holmes adventure inspired by Tey in which Holmes investigates the authorship of Shakespeare's plays. Colin Dexter's THE WENCH IS DEAD is inspired by this book as well and largely sticks to the same format, although I think it is a much better detective story.
DeleteIf I may direct your attention to the review over on my blog, Patrick - you're not alone.
ReplyDeleteI think we largely agree on this one: an entertaining read, but I have no idea what kind of drugs the CWA was using when they voted it as the best crime novel of all-time. I wouldn't dare nominate a single candidate to represent the very best of what crime fiction has to offer, but if I were to do so, this book would not be the one.
DeleteI've never thought that the argument in The Daughter of Time held up (and, yeah, the whole "I can tell by his face that he's no murderer" is ludicrous...and, even if it weren't, what he's seeing is *not* Richard's face, but a painter's interpretation of the face of an absolute monarch and who might well not be pleased by an accurate portrait). Also, as I recall (it's been years), Grant says that the evidence is not sufficient to convict in court, so he must be innocent...another strange argument.
ReplyDeleteBut Tey uses strange methods for establishing guilt more than once (in her first book, The Man in the Queue, for example), so perhaps it not something unexpected.
Apparently, historians agree that whatever happened to the Princes happened during Richard's reign, and there are sources Tey either did not consult or did not know about it which confirm that.
DeletePatrick, this is a very interesting article and I enjoyed reading it. I have not read the book very recently... but I love all of Tey's books. I definitely agree that it would be impossible to pick one mystery novel or even one author for the #1 position. And it surprises me that this would be it... on that list.
ReplyDeleteOne of the reasons The Daughter of Time is ranked so high is because it's a "respectable" mystery. I think we've discussed the role of the "respectables" in mystery fiction...
ReplyDeleteGreat review Patrick - moe than anything, I think that time (no pun intended) has not been kind to this one in terms of what may have seemed like a radical and original approach at the time. Of course, on the other hand, it has some renewed currency now with the disinterring of the remains ...
ReplyDeletePatrick, I am a Medieval History Graduate and one of my Lecturers is an expert on the Wars of the Roses and Fifteenth century, and though I have not read the book agree with your summation of the author's portrait of Richard.
ReplyDeleteEven amongst the historical fraternity it is believed that some Richardians' (historians included) love and admiration for the man is extreme to the point of fanaticism. At the furthest end of the scale there are those who seem to regard him as having been a virtual saint who could never possibly have done anything as horrid as murder.
So take heart that your observations in this regard seem quite accurate.