Nick, Dale, and Kurt are very good friends with something in
common. They all work for absolutely terrible bosses. Nick works for David
Harken, a sadistic sociopath who enjoys manipulating his employees and
demonstrating the power he yields. Dale works for Dr. Julia Harris, a dentist
who sexually harasses him, despite the fact that Dale is happily engaged and
planning to get married. Kurt used to have a great boss, but when he died, his
cocaine-addicted son Bobby took over the business and is set to ruin it with
his paranoid schemes for milking every last cent out of it.
One night, the trio of friends begin to fantasize about
killing their employers, and before long, they’ve decided to go through the harebrained
scheme. To pull it off, they decide to find a hitman, and thus launch the
series of events chronicled in the 2011 comedy Horrible Bosses.
Horrible Bosses
boasts a veritable all-star cast, with the titular bosses being played by Kevin
Spacey, Jennifer Aniston, and Colin Farrell. Each is cast to perfection and
exploit their popular persona for many of the movie’s biggest laughs. For
instance, we’ve seen Kevin Spacey cast as a psychopath before; he strikes many
of the same chords in his performance as the sadistic David Harken.
The trio of friends is also well-cast. They’re likeable
guys, caught in bad situations, and the movie (surprisingly enough) takes the
time to explain why they’d decide to go to such drastic measures. They’re not
murderers by trade, after all: why not just quit? The movie takes the time to
explain that, and that’s all the more appreciated. I particularly enjoyed
Charlie Day’s performance as Dale, a man who is being sexually harassed at
work, but who is happily engaged and refuses to cheat on his fiancée – he’s
also one of the most reserved members of the group, and the places their
adventures force him to go make for some really funny moments.
It’s also a well-plotted movie. It pulls a few genuine
surprises out of the storytelling closet, and with a half hour to go, the movie
dramatically changes tone and direction, a development I was not expecting in
the least. It’s also a movie that knows the previous examples of this kind of
movie – citing such movies as Strangers
on a Train and Throw Momma from the
Train, as well as taking a potshot at the Ethan Hawke movie Snow Falling on Cedars. Because the
script is familiar with the typical directions such movies take, it’s easier
for it to exploit our expectations as viewers.
That being said, there is one drawback to the film, one
which divides the potential audience – many of the jokes are vulgar, and not everyone will be a fan
of these bits. I thought most of the jokes were very funny, but a few of them
tiptoe across the metaphorical line of good taste so closely, it can do nothing
but divide the audience. There is swearing to be found here, and enough sexual
innuendo and sex-related humour to keep Freud’s ghost busy for months to come.
I thought about 90% of the jokes were very funny, but if you are easily
offended, you might want to stay away from this movie. There’s no full-out nudity,
but there are a few suggestive images, and the language alone merits the movie’s
R rating.
I've never seen this film, but your excellent review makes me want to.
ReplyDeleteI've seen this movie several times and it never stops making me laugh. Like you said, it's perfectly cast and definitely not for everyone.
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