The Agatha Awards noms have been announced, and looking over the
nominations list, I am overcome with a wave of emotion. That emotion is sheer
apathy. I just don’t care about any
of these nominations. I read plenty of new books in 2012, and I enjoyed myself
for the most part. But come awards season, it seems to be a celebration of the
bestseller lists and of the underappreciated art of mediocrity.
But don’t worry, I’m just being a jackass today, and after I
finish writing this piece I’ll go to a corner, sulk and cry myself to sleep, all
while pondering on my various psychological issues, caused by my mother not
hugging me enough when I was a child. At least, that’s the only explanation I
can come up with. I should be excited! It’s award season! We’re celebrating the
cream of the crop— the very best that the mystery field had to offer in 2012! I
should turn that frown upside down, grab a martini (shaken, not stirred) and
talk about how brilliant all these novels were.
Well, no. I refuse. I’m reminded of a scene in Douglas
Adams’ The Hitchhiker’s Guide to the
Galaxy. Our heroes were subjected to the third-worst poetry in the universe,
and are asked by the poet, a heartless Vogon, what they thought of it. And they
babble on about how the rhythmic devices counterpointed the surrealism of the
metaphors and nonsense like that. I’ve taken English classes before, and I have
written essays praising some unreadable crap as masterful literature. You can
do that with anything. There’s just no honesty in it.



