To set the plot of The
Second Confession in motion, James U. Spurling, a wealthy industrialist,
comes to Nero Wolfe’s brownstone and hires the famous detective to do a bit of
tricky work for him. Spurling is convinced that his daughter Gwenn’s suitor,
Louis Rony, is a Communist. Spurling asks Wolfe to prove this, but Wolfe
decides it would be simpler to look for evidence that will convince Gwenn to
drop Rony. And so, Archie Goodwin is sent down to the countryside to get some
fresh air and do some undercover sleuthing.
But before you know it, Nero Wolfe gets a telephone call
from Arnold Zeck, who introduced himself in the previous book in the series, And Be A Villain. Zeck demands that Wolfe
cease the investigation, and when Wolfe refuses, Zeck arranges for some armed
goons to shoot up Wolfe’s brownstone, completely destroying the plant rooms.
This means war, and Nero Wolfe reacts to this threat by breaking one of his
most sacred rules: he steps out of his house.
But before Wolfe can roll up his sleeves and prepare to
bring down Arnold Zeck, something unfortunate happens to Louis Rony, who turns
up as a fresh corpse. This changes matters considerably, and Wolfe must clear
his and Archie’s name while bringing Rony’s killer to justice.
The Second Confession
is the second novel of Stout’s famous “Arnold Zeck trilogy”, and it’s a good
one. Arnold Zeck is far more prominent than he was in And Be A Villain. In the first book, his presence was more or less
a cameo—in this book, his presence is far larger, although the actual “screen
time” he gets is relatively minor. He still manages to play a pivotal role in
the plot, however, so this isn’t a blink-and-you’ll-miss-it apperance.
As a story, The Second
Confession works quite well. It’s got an unexpected ending, which usually
isn’t Stout’s forte. The clueing could have been a bit better, but the plot
works as a whole, and the main reason clues aren’t so great is because they’re
mainly the type of clue that you, the reader, cannot use— photographs form the
most important evidence. Archie finds out who the culprit is far before the
reader thanks to this, but he decides to play the old trick of withholding the
name from you until the last possible moment.
As usual, Archie is in splendid form as a narrator, with
plenty of wisecracks along the way and guiding us through a very tangled web of
plot. His narration is crisp, clear, and extremely entertaining, and there are
several quite funny moments in this book. I particularly liked Archie’s
portrayal of the police officials who show up in this book and will reappear in
the follow-up, In the Best Families.
I don’t want to give too much of the story away, so perhaps
I should stop there while I’m still ahead. The
Second Confession is a good novel and, dare I say, one of the better ones.
It isn’t quite at the same level as And
Be A Villain, in my opinion, but it’s still highly readable and
entertaining, and the ending really is quite unexpected. But it all makes sense
by the end and forms a complete package. Plus, it’s always something of a shock
when Nero steps out of his house to trap a killer!
If you think Nero venturing out of his comfy and secured brownstone is something of a shock, in this book, than just wait until you've read Even in the Best Families!
ReplyDeleteAll three of the Zeck books are fun, but I agree with TomCat - wait till you see what happens in "In the Best Families." About as close as Rex Stout gets to hard-boiled...
ReplyDeleteYes, "In the Best Families" is in the tradition of Doyle's "The Final Problem"/"The Empty House," Christie's "The Big Four," and Sayers's "The Cave of Ali Baba."
ReplyDeleteGreat book in the Zeck sequence. What I particularly liked was Tappley's introduction. See my comments at detectivewatching.wordpress.com
ReplyDelete