The Not-So-Talented Miss Highsmith

Strangers on a Train was Patricia Highsmith’s first published novel, and it was a smash hit. So big, in fact, that a film adaptation was quickly made by the master of suspense himself, Alfred Hitchcock. And the first script was written by Raymond Chandler – although venom-filled “creative differences” between Hitch and Raymondo ended up getting Chandler dismissed from the project. The final product is one of Hitchcock’s finest thrillers. But how does the novel compare?

Fans of the film are warned that the book is very, very different from the film. I suspect that many of the differences arose thanks to the Hollywood censors, but if that was the case I can only say “Thank God!” When reviewing Francis Iles’ Before the Fact, which became the film Suspicion, I remarked that Hitchcock could take the silliest stories and turn them into terrific thrillers. My batting average for books-that-become-Hitchcock-films is very low right now: Strangers on a Train is one of those silly stories. And I have no idea why it has such a high reputation.

Goodbyeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

Raymond Chandler

There is a moment in the 1994 movie Speed which suddenly transforms the movie from a good action movie into an exhilarating thrill ride: it is the moment when the bus goes over 50 mph. From that moment on, the movie, which was already good, becomes great, as an intelligent thriller results, with complication after complication thrown in our characters’ faces. Raymond Chandler’s novel The Long Goodbye contains the exact opposite of this moment: it begins as an intelligent and rather enjoyable story, but suddenly transforms into a mind-numbingly painful experience when it reaches Chapter 13.

Before I go any further, let me say two things. First off, a confession: I did not finish reading this book. Second off: I absolutely despise Raymond Chandler. [Also, be warned: I avoid rude language in my reviews because I believe in using intelligent language, but I found it unavoidable today, and the nicest term I could think of to describe just about all the characters appears quite often: “jackass”. I considered replacing it with “Pineapple”, but it came across as too silly. So "jackass" it is.]