Brother Anselm and his novice Stephen are summoned to St.
Michael’s Parish. The church has been the site of recent hauntings, and the
mysterious warlock known as the Midnight Man is blamed for a demonic midnight
ceremony that opened the very gates of Hell on the parish. But as Brother
Anselm explained, these (undoubtedly) supernatural phenomena must have a human
cause—its root lies in the wickedness of a human heart. And so in order to weed
out these demons, Brother Anselm must find the human cause of their wickedness.
Stir in plenty of ghostly Gothic atmosphere, and don’t forget that impossible
crime that takes place in a locked church. And ta-da! you have the plot of Paul
Doherty’s The Midnight Man.
Paul Doherty’s latest effort is a return to his Canterbury
Tales series, which is my personal favourite. The premise of this series is
that the pilgrims of Chaucer’s Canterbury
Tales have made an agreement that, at night, each of them should tell a
story about the night-time, a story to chill the blood. (This time, it’s the
physician’s turn, although there isn’t a physician appearing anywhere in the
story.) And so, in these stories, the supernatural goes without question. God
exists, and just as importantly, so does Satan—but their inclusion doesn’t mean
that you can’t have a fairly clued mystery thrown into the works!